THE FORGOTTEN HANDPRINT ON THE DOORFRAME

I was 29 when I first noticed the handprint. It was a cool autumn afternoon, and I was in the process of packing up the last remnants of my grandmother’s house. The estate sale had gone smoothly, and all that was left were a few pieces of furniture and boxes of forgotten memories, waiting to be sorted.

As I walked through the hallway of the old house, I saw it. Faint, dusty, and tucked away on the doorframe leading into the small library at the back of the house—a child’s handprint. I don’t know why it caught my attention; I must have walked past it a thousand times growing up. But now, it felt like it was waiting for me.

“Was this yours?” I asked aloud, though the house was empty. The handprint was too small to have been mine.

For a moment, I felt the house itself holding its breath, as if there was something it was trying to tell me. My grandmother had been a private woman, but we were close. She raised me after my parents died when I was young, and this house was filled with the memories of my childhood. Yet, there were things she never talked about, pieces of the past she always deflected with a change of subject or a quick laugh.

Something about that handprint felt off. I traced its outline with my finger, feeling the cool, rough texture of the chipped paint beneath. That night, I couldn’t sleep. I kept thinking about the handprint, how out of place it seemed in a house so meticulously kept. What had my grandmother been hiding?

The next day, I called Aunt Sylvia, my grandmother’s sister, hoping she could shed some light.

“You always were too curious for your own good, Ethan,” she said with a chuckle when I brought up the handprint. “Leave the past in the past.”

“Who did it belong to?” I pressed.

There was a long pause on the other end. When she finally spoke again, her voice had a sharp edge. “I told you, Ethan. Let it be.”

But I couldn’t. I spent the next week diving into every family document and photo album I could find. The more I searched, the more I realized how many gaps there were in my grandmother’s story. There were no pictures of her before a certain age. No family portraits, no old letters—nothing before she turned 30. It was as if her life began the year I was born.

That’s when I found it.

Tucked away in the attic, behind boxes of old books, was a small chest. Inside, there was an old photograph of a little girl, maybe four or five years old, standing on the porch of the very house I was now packing up. She had dark hair, a somber expression, and her hand was resting on the doorframe—the same doorframe where the handprint still lingered.

But the most shocking part? The date on the back. The photo was taken 25 years before my grandmother was even born.

I took the photo to Aunt Sylvia the next day, my hands shaking as I laid it in front of her. “Who is she?”

Her face went pale, and she pushed the photo away as if it burned her. “That’s enough, Ethan,” she whispered. “You don’t want to know.”

But I did.

I found out soon enough from an old family friend who had long since moved away. My grandmother had had a sister, born long before Aunt Sylvia. A sister who had disappeared without a trace when she was five years old. Her name was Emma. She had vanished one afternoon while playing in the yard, and no one ever saw her again.

No one ever talked about her.

The revelation shook me. My grandmother had lived her entire life with the weight of this secret. The little girl in the photo, the handprint on the doorframe—it all belonged to Emma. But why hadn’t she told me? Why had she erased Emma from our family’s story?

As I grappled with this, I realized that Aunt Sylvia’s warning wasn’t just about the past—it was about something darker. She knew more than she let on, and as I pressed her, I discovered the truth.

Emma didn’t just disappear. She had been hidden.

The town had buried the truth of what happened that day. A neighbor, a man who lived down the road, had been responsible. But in those days, people covered things up. They couldn’t bear the shame, the scandal, so Emma’s disappearance became a whispered rumor. My grandmother had known the truth all along, and she had made a choice—to live with the secret, to protect her family’s reputation.

Suddenly, everything felt different. My grandmother’s silence, her guardedness, it all made sense now. She wasn’t just keeping a secret; she was carrying a burden.

As I stood in the hallway of her old house, staring at the tiny handprint on the doorframe, I felt a rush of conflicting emotions—betrayal, sadness, but also a deep understanding. My grandmother had lived her life protecting us from a truth that could have torn everything apart. But in doing so, she had also kept us from knowing who we truly were.

I decided to leave the handprint. It was a reminder, a piece of Emma that would stay with us. And as much as I wished things had been different, I couldn’t change the past. I could only carry the truth forward, in honor of both the sister my grandmother lost and the one she became to me.